Sir Walter Raleigh (Painting)

From Thomas Jefferson Encyclopedia

Sir Walter Raleigh; Thomas Jefferson Foundation, Inc. Photography by Edward Owen.
Sir Walter Raleigh; Thomas Jefferson Foundation, Inc. Photography by Edward Owen.

Artist/Maker: possibly Edward Alcock[1]

Created: 1787

Origin/Purchase: England

Materials: oil on canvas

Dimensions: 64.8 x 50.2 (25 1/2 x 19 3/4 in.)

Location: Parlor

Provenance: Thomas Jefferson; by purchase at the Harding Gallery sale in 1833 to Colonel James W. Sever; by gift to the Pilgrim Society in Plymouth, Massachusetts in 1868; by purchase to Thomas Jefferson Foundation in 1965

Accession Number: 1965-14

Historical Notes: Although Sir Walter Raleigh was a historian and poet, Jefferson's interest in him stemmed from his early exploration of the North Carolina coast in 1584 and a premature attempt to colonize America. Jefferson owned Sir Walter Raleigh's Essays (1650) and Raleigh's History of the World (1736). To explain government in Virginia, Jefferson began with Queen Elizabeth's agreement with Raleigh in Notes on the State of Virginia, which was published in English at about the same time that Jefferson acquired the portrait of Raleigh.

In 1786 Jefferson toured English country estates and gardens with John Adams, who was then serving as the American minister to Great Britain. Together they saw a picture of Sir Walter Raleigh at Birmingham. Jefferson then asked either Adams or Colonel Smith to obtain a likeness of Raleigh for him. He wanted "to add it to those of other principal American characters which I have or shall have."[2] In October and December of the same year, Jefferson renewed his request to Smith for both "Mr. Adams's [by Mather Brown] and Sir. Walter Raleigh's pictures."[3] When neither painting had appeared by February 19, Jefferson wrote a third reminder, "—Remember Mrs. Adams's picture, I pray you; and Sir Walter Raleigh's too."[4] On May 19 Smith notified Jefferson that the portrait was on its way; "Sir Walter Raleigh I immagine [sic] will be at your House to receive you."[5] Apparently Smith located a copy of a different portrait of Raleigh, probably from a London collection, rather than the one Jefferson had seen at Birmingham. Nearly a year after the painting was shipped to Jefferson in Paris, Smith wrote, "You have never informed me whether the picture I send [sent] you was the one you saw at Bermingham or Brumigum, and whether the price I gave, was anything near what you could have obtained for it, previous to its visit to the Capital."[6]

The portrait of Raleigh was exhibited on the top tier of the Parlor next to Cortez and adjacent to other early explorers of America—Columbus, Vespucci, Magellan, and Cortez. In the "Catalogue of Paintings" Jefferson mistakenly wrote "copy from an Original of Holben," but Hans Holbein (1497/8-1543) had predeceased Raleigh by nearly ten years.

The copyist may be Edward Alcock, who was active in Bath in 1757 and living in Birmingham in 1759-60, after an unidentified artist.[7]

Footnote

  1. This article is based on Stein, Worlds, 136.
  2. Jefferson to William Stephens Smith, Paris, October 22 1786, in PTJ, 10:479. Letterpress copy available online by the Library of Congress.
  3. Jefferson to Smith, Paris, December 20, 1786, in Ibid, 10:620.Letterpress copy available online at the Library of Congress.
  4. Jefferson to Smith, Paris, February 19 1787, in Ibid, 11:169. Letterpress copy available online from the Library of Congress.
  5. Smith to Thomas Jefferson, Bourdeaux, May 19, 1787, in Ibid, 11:365.
  6. Smith to Jefferson, London, February 22, 1788, in Ibid, 12:620. Recipient copy available online from the Library of Congress.
  7. Ellis Waterhouse, The Dictionary of British 18th Century Painters in Oils and Crayons (Woodbridge, England: Antique Collectors' Club, 1981), 23.