Winding flower border
From Thomas Jefferson Encyclopedia
"I find that the limited number of our flower beds will too much restrain the variety of flowers in which we might wish to indulge, and therefore I have resumed an idea . . . of a winding walk . . .with a narrow border of flowers on each side. This would give us abundant room for a great variety."
-- Jefferson to Anne Cary Randolph, June 7, 1807
Thomas Jefferson's winding flower border was laid out in the spring of 1808. A sketch of his design also included four large oval-shaped areas that were to be planted with flowering shrubs; however, it is not known if these were ever installed. By 1812, Jefferson needed a more systematic organization of the border and so divided the beds into ten-foot sections, each compartment numbered and planted with a different flower.
The winding walk and border is not a traditional "garden," which usually suggests a room outside, an enclosed retreat. Jefferson's flower beds and borders are exposed to the elements, open to the central Virginia landscape, intimately balanced with what he called "the workhouse of nature . . . clouds, hail, rain, thunder, all fabricated at our feet." The winding, relaxed lines of the walkway reflect Jefferson's interest in the latest, informal style of landscape design, which he had admired during his visit to English gardens in 1786. British garden architects attempted to imitate the picturesque scenes of eighteenth-century landscape painters by removing the rigid, formal designs of an earlier era.
The flower gardens were not cared for by professional gardeners, but by Jefferson's daughters and granddaughters, who were often assisted by an elderly slave. Ellen Randolph recalled the heyday of flower gardening at Monticello:
"I remember well when he first returned to Monticello, how immediately he began to prepare new beds for his flowers. I was too young to aid him, but my sister was his active and useful assistant. . . . The roots arrived, labelled each with a fancy name. There was Marcus Aurelius, and the King of the Gold Mine, the Roman Empress, and the Queen of the Amazons, Psyche, and God of Love, etc., etc., etc. Eagerly and with childish delight, I studied this brilliant nomenclature, and wondered what strange and surprisingly beautiful creations I should see rising from the ground. Then, when spring returned, how eagerly we watched the first appearance of the shoots above ground. What joy it was for one of us to discover the tender green breaking through the mould, and to run to grandpapa to announce, that we really believed Marcus Aurelius was coming up, or the Queen of the Amazons was above ground. Then when the flowers were in bloom, and we were in ecstasies over the rich purple and crimson, or pure white, or delicate lilac, or pale yellow of the blossoms, how he would sympathize in our admiration, or discuss with my mother and elder sister new groupings and combinations and contrasts. Oh, these were happy moments for us and for him!"
- Betts, Edwin M. and Hazlehurst Bolton Perkins, Thomas Jefferson’s flower garden at Monticello Charlottesville: Thomas Jefferson Memorial Foundation, 1986.
- Betts, Garden Book.
- Hatch, Peter J. "The Gardens at Monticello," In Thomas Jefferson's Monticello. (Charlottesville VA: Thomas Jefferson Foundation, 2002), 113-151.
- Thomas Jefferson Foundation. Center for Historic Plants. http://www.monticello.org/chp/index.html
- Look for sources in Thomas Jefferson Portal